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Электронный каталог библиотеки ВГИК (на русском языке) - результаты поиска

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Электронный каталог библиотеки ВГИК (на русском языке)

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72(09)
W68

Wildung, Dietrich.
Egypt: From Prehistory to the Romans : album / D. Wildung ; series ed.: H. Stierlin ; ill.-phot.: A. and H. Stierlin. - Koln : Taschen, 2009. - 223 p. : il. - (World Architecture). - Glossary: p.219. Bibliogr.: p.220. Index: p.221-222. - ISBN 978-3-8365-1030-1 : 495.00 р.
Chronological table: p.216-218.

УДК

Рубрики: Архитектура--История--Древний Египет
   История искусства первобытных и древних народов--Египет
   Фотографические снимки
   История--Древний Египет
   Египет--история
    Египет--история искусства
Аннотация: The image we have today of Ancient Egypt is baset with cliches: sinister mummies and the beautiful Queen Nefertiti, the death-bringing curse of the pharaohs and treasures shrouded in mystery distort our view of the achievements of the civilisation and culture of Ancient Egypt. It is a land which in ancient times formed the bridge between north and south, between Africa and the Mediterranean, and which, together with the Near East, is a cornerstone in history of Western civilisation. Just as the mummycan in no way be regarded as the leitmotif of religion in Ancient Egypt, nor can Nefertiti alone convey the essence of the art of the pharaohs, being instead merely an exeption, mistakenly perceived as representative. She shares her fate as an inappropriate figureherd, a false symbol, with the pyramid, which is seen as the epitome of Ancient Egyptian architecture. Its clear, formal structure is generally perceived not only as the classic example of the art of Ancient Egypt, but also as the model for the political and social system of the pharaohs' empire. This view conveniently takes the exceptional case of purely geometric basic form and turns it into a standard, thus disregarding the cotinuous development of Ancient Egyptian architecture over a period of three thousand years. Egyptian architecture is a mirror of creation, a means of artistic expression that is fiemly rooted in the realms of sensory perception. It is not a construct of mathematics, technology and abstraction. Often labelled as "monumental", this architecture, seemingly presented solely in terms of sacred buildings, in temples and tombs, has its actual origins in secular buildings,in the everyday architecture of an agricultural people - a fact which it never denied or sought to conceal.

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Stierlin, H. \series ed.:.\; Stierlin, A. and H. \ill.-phot.:.\
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